Monday, 5 December 2011

Another Colour Scene Test - Production Schedule

Colour Scene Test

After the feedback discussed in the previous post, I decided I would simplify the colour scheme for the entire film. In the time we have, it just won't be achievable to fully colour all the backgrounds and character fully. I much prefer simple colour washes anyway, so shown above is another visualisation for a final shot for the film. I very much prefer this version to the coloured one (shown below). It has a more graphic impact, and gives the piece a nostalgic and child-like illustrative quality which I wanted to show.

The multiple-coloured version in comparison, I think, kills the detail and seems disjointed with the pastel colours for the background and the bold colours for the uniforms. I did like the blending to white effect present on the left-hand side of the image to give the impression of light. I used this in the purple version.
The purple version also took a lot less time to colour. Obviously, it is still a rough visualisation, and more time will be spent on the final image. I will continue to test different brushes, drawing methods and textures that can be used until I am satisfied with the result. Overall, the purple version looks better and is less time-consuming. I will show this to my tutors later this week to discuss it further. 

Second Animatic

This week I have also produced my second official animatic. After some feedback with Matthew, I re-storyboarded the film to include more scenes with Mollie and Babbit together to show their friendship more clearly. 

Again, with this storyboard, the drawings were roughly done, so the quality of some of the images in the animatic are very bad. As this deadline required a rough animatic with sound, I decided to keep it very rough for now, and will clean it up considerably for the detailed animatic deadline in January.

I used a piece of music by Liszt. "Consolations, S 172 - Lento Placido". The track fitted the mood of my film relatively well. It is a tad "grand" for the final film, but for the animatic it works, with some emotional beats fitting well. I cut the last section of the song using Premiere Pro very roughly so the ending of the song ended with the animatic too. The animatic is pretty much 3 minutes long exactly, so full animation is about 2 minutes, 50 seconds. There still may be some pacing issues, as Matthew told me to cut some scenes down as they were too long. I tried to do this, but I will show this to him and other tutors this week to see what they think.

Feedback on the second animatic from James:
I showed the new animatic to James earlier today, and unfortunately he found the new animatic way too literal. In the previous animatic, the moments between Mollie and Babbit and Mollie feeling shy and anxious were way more subtle than the new version. I wanted to take on Matthew's points, but I can absolutely see where I went wrong. I think I was panicing about the relationship with Mollie and Babbit coming across well, instead of trying to think of clever shots. I had changed a great deal, bringing the 'other classmate' into the story more, and making the story more literal. James reminded me that in film, things don't have to be completely literal, and that there could be much more subtle shots that indicate Mollie and Babbit's relationship that could speak a great deal more than literally explaining everything in unnecessary scenes. 
So unfortunately, I will have to abandon a lot of the newer elements I included in the new animatic and go back to the first version to refine and make clearer. It was unfortunate, especially as I spent a long time on Premier Pro to help the animatic flow clearly, but overall, I want my story to be subtle and sweet. I lost sight doing the new animatic, as I overlooked lots of moments in an attempt to keep to the points Matthew gave me. I perhaps went a little too far in the wrong direction! I will now refine the first animatic, with some parts of the second(!) to make sure I have a clear idea ready for the Christmas holidays.

Production Schedule

I also produced a Gantt Chart to pre-visualise the time I have in production for the film.

The red squares represent the week of final deadline. I included my dissertation in the 'Task' column too, as this is something I definitely need to schedule in too!! 

The final deadline for the film hand-in is the 14TH MAY. 
I have made sure that compositing and editing of my film will happen at the same time as my animation. I could set a weekly task to scan and put together my work from the week and put it into my animatic for timing/layout and composition checks. By doing this straight away, it will ensure I won't have anything outsandingly wrong or difficult to fix at a later stage in production.

Overall I want to be spending the most time focusing on the quality of my animation. I have highlighted the time to finish animating around the last week of April. This would give me enough time to then finish colouring and compositing everything together. This is my aim, though it is likely to change as and when I start!

Planning for Production

I will hopefully ask some second and first year animators to help me with the colouring of some of the frames too. As the colour scheme will now be very simplified, it will hopefully mean the colouring process won't take as long. I will test some more colour ideas and possibly time it and then try to calculate more accurately how long colouring will take. From last year, when I worked on Eva Wagner's film, I was able to see her own production schedule for her fully hand-drawn animated film, "Sun and Moon". I noted how efficient she was in organising her time, with daily aims in number of frames. She had started animating before most of the class, and everyone remarked on her dedication. From seeing her working method work so well, I will be aiming to do the same. I will stick to the schedule as tightly as possible. I want to be proud of my final film, and above all, I want it to be finished. Strict dedication to the schedule is the only way to fully realise this!!

I will produce another schedule that fully realises everyday goals. Eva worked every day for several months producing 60 frames a day. I will work out the 'math!' and post this as soon as possible, though it will most likely be similar, if not exactly the same to Eva's! 

All pre-production work is due in on Monday 12th December, so exactly a week! I'm positive I'll be able to hand this all in in time. It'll be great to "finish" the pre-production and move on to the actual production stage. I will be updating at least one or two more posts with pre-production work. Some more colour tests, etc. 

Aim for the week: Finish all necessary preparatory work ready for Hand-In on the 12th December!
Rework the animatic!


1 comment:

  1. Interesting stuff. I hope you don't mind, but I have used your gant chart as an example in my new course on creativity (RMIT, Vietnam).